If you are in a hurry and just want to find out what the Best Wide Angle Lens for Nikon is, then I’d recommend the Nikon AF-S FX NIKKOR 20mm f/1.8G ED as the best one.
In recent times, the most preferred camera accessory for a good number of photographers is the wide angle lenses. This is because it comes in very handy when exploring vast landscapes and architecture.
One brand that offers an impressive array of wide angle lens options is Nikon. Whether for full frame or crop sensor DSLR cameras.
In this article, we’re going to look at the best wide angle lens for Nikon. And how to make the best out of them to get the image you desire.
Types of Wide Angle Lens
Again, wide angle lenses are great for more detailed, fast candid and well thought-out images. They are generally anything below 35mm. And are categorized into moderate, ultra-wide and fisheye.
1. Moderate-wide angle lenses (24 – 35mm)
This category of lenses allows photographers to quickly photograph without the need to critically focus on a single point. This makes them ideal for wedding, street and travel photography. These lenses are generally inexpensive and perfect for low light situations.
2. Ultra-wide angle lenses (17 – 24mm)
Compared to the moderate form, these create more exaggerated perspectives. Thus they are ideal for stunning evening silhouettes, seascapes or real estate photography. They also come in handy for candid shots of people. But tend to have a little more distortion than the moderate kind.
3. Fisheye lenses(6 – 16mm)
These are a very specialized form of wide angle lenses, with limited applications. And they can be quite expensive. But, they do produce striking and unique images. And allow for the best in super wide, bent photos and full circular images.
Prime Vs. Zoom
Within the photography community, one of the biggest debate when it comes to the selection of lens is Prime vs. Zoom. A prime lens is one with a fixed focal length. This means that if you wanted to get further away from or get closer, to a subject, you would to have physically move.
A zoom lens is equipped with a lot of focal lengths. This way, you do not need to move physically when you want to adjust your angle of view.
One of the major advantages of a prime lens is that you generally get to use a smaller f-number for the wider aperture. The zoom lens doesn’t get as wide as prime. It allows you to shoot at a variety of focal lengths and quickly change perspective.
Generally, prime lenses tend to take sharper images, while zoom lenses are more versatile. If your purpose for getting a wide angle lens is specific, for instance, weddings, then prime lenses are the way to go. If what you need a versatile lens for use in travel or street photography, zoom lenses is a perfect choice of wide angle lens.
How to Use Wide Angle Lens
No doubt, wide-angle lenses are among the most difficult to use in both photography and videography. Obviously, the wider you go, the more difficult they become to handle. Since/If you’re thinking of getting a wide angle lens, it’s necessary to know how to make the most use of your wide angle lens.
While there exist no steadfast rules, the following guidelines will help to use your wide angle lens most effectively.
1. Fill the Space
One mistake common with ultra wide-angle landscape photography is not filling the frame. Instead, a lot of space is open that doesn’t contribute to the image.
It is important to note that a wide angle lens exaggerates the relative sizes of far and near subjects. This effect is emphasized when you get very close to your subject. This implies getting much closer to the foreground and then immerse yourself amongst your subject.
2. Perspective Control
It is important to be aware that changes in where you point your camera impacts the subject. And can cause parallel vertical lines to appear to converge. Typically, a wide-angle lens creates the illusion of exaggerated perspective. This is because, in a wide-angle photograph, there is a greater distance between objects and the closest to the camera tend to always appear bigger.
This implies that when you photograph from a higher or lower angle, you can give a new perspective to the viewer. That is to say that different angles change the relationship between the scene’s subjects. Thereby adding more interest to the photos.
Wide angle lens is associated with distortion characterized by an exaggeration of the lines. and they usually impact your subject. These distortions come in basically two forms – edge and barrel.
Barrel distortion causes lines that should appear as straight to appear bulged if they pass through anywhere but the center of the image. Edge distortion, on the other hand, causes objects at the extreme frame edges to appear stretched in a direction leading away from the center of the image.
In some form of photography, distortion can be considered creative and add a dreamy look to a picture. As long as you do not overdo it, this works fine from time to time.
4. Use Filters
It makes a huge difference to use filters for your landscape photography and opens several doors for creativity. But, there are conditions that can lead to certain issues when a wide-angle lens is combined with filters.
A major issue that can arise is known as vignetting. This usually arises when the filter does not match the lens or when multiple filters are stacked up. It is important to pay attention to the frame of the image and take note of any vignette as a result of filters, so as to avoid any form of post-processing.
When you want to buy filters, I recommend that you do initial research on the specific brands and systems that work with your choice of lens.
5. Pay Attention to the Corners
One of the challenges of using an ultra wide-angle is that you often have a lot of information within the frame. With a lot going on, it can be easy to forget the smaller details such as paying attention to the corners of the frame.
After capturing an image, it is important to look at the image preview and zoom in. By doing so, you get to notice any minor errors that when viewed on a larger monitor will be very visible.
You may want to look for things such as tripod legs, camera bags, branches or other elements that originally aren’t a part of the image. If found, adjust the perspective or zoom to remove them.
Top 5 Best Wide Angle Lens for Nikon Product Reviews
- Compact, lightweight, FX-format lens that combines the ultra-wide perspective of a 20mm focal length, the low-light capabilities and shallow depth of field of an f/18 maximum aperture and the superb optical characteristics of an advanced NIKKOR prime lens
- Maximum reproduction ratio: 0.23x.Aspherical lens elements and Extra-low Dispersion glass elements with Nano Crystal Coat combat sagittal flare and chromatic aberration for superb, sharp rendering across the entire frame
- Innovative Silent Wave Motor (SWM) uses ultrasonic waves for fast, acurrate, near quiet autofocusing as close as 78-inches from your subject
- Delivers a 20mm, 94 degree angle of view that's ideal for stills or motion capture, Minimum focus distance is 0.66 feet from focal plane
- Produces beautifully blurred backgrounds in your photos and HD videos and lets you shoot at lower ISO settings to retain high image quality at its maximum aperture setting of f/18
One best wide angle lens for Nikon I would never fail to recommend to any photographer looking for a great value, great performing prime lens is the Nikon AF-S FX NIKKOR 20mm f/1.8G ED Fixed Lens.
Whether they are intended for astrophotography, wedding photography, or an odd large group shot, this Nikon 20mm f/1.8G is a firm favorite.
With a 20mm focal length, this lens is maximized for spectacular architectural and landscape shots when used with Nikon full-frame body.
In the same vein, it is perfect for taking dramatic crowd shots captured in small spaces. As a result of its smaller apertures, this lens introduces some impressive sun stars to your image. This you can hardly find on the more modern Nikon lenses.
Also, with the fast f/1.8 maximum aperture, it excels in difficult lighting conditions and offers increased control over depth of field as well. This lens features an autofocus that is fast and accurate, and this partly due to its lightweight design.
With an optical design that incorporates both aspherical and extra-low dispersion element, it is good at handling chromatic and spherical aberrations. Also, with its application of both Nano Crystal and Super Integrated Coatings flares, distortion and ghosting are reduced to the barest minimum.
There is not a doubt that this lens is one of the best lenses for Nikon DSLR cameras for the clarity and sharpness it offers.
|It comes with superb optical characteristics||It lacks optical stabilization|
|Its autofocusing is fast, accurate and near quiet|
|It is compact and lightweight|
- Ideal for wide-angle and "normal" shots
- Maximum aperture: f/4 ; Offers two focus modes, M/A (autofocus with manual override) and M (manual)
- Lens construction: 17 elements in 12 groups
- Image stabilization, vibration reduction (VR II) up to 4 stops
- Nikon F mount for FX and DX DSLRs
Nikon AF-S FX NIKKOR 16-35mm f/4G ED is another razor-sharp ultra wide angle lens for Nikon designed to withstand rough and tough weather conditions. And stay protected against moisture and dust.
The Nikon 16-35mm f/4 VR is an ultra sharp lens with a fast and accurate focus. But, at 16mm, it is only normal to expect some distortion. But which can, as usual, be fixable with one click in Lightroom.
One of the major drawcards of this Nikon lens is its optical image stabilization for Vibration Reduction capability. With this inbuilt optical stabilization, you can do things not before possible with other wide angle lenses.
This lens is compatible with both FX and DX Nikon camera. And additionally offers a practical and usable focal range that a wide range of photographers will love. With this lens, it is possible to shoot at all its angles and focal length. Thereby providing versatility for a variety of situations. This is not something you find in a lot of wide angle zoom lens, which only allows you to shoot at their widest angle.
Plus its autofocus performance is very accurate and instant, even in poor lighting conditions. Additionally, the Nikon 16-35mm f/4 VR allows for front-mounted filters. Making it suitable for firm photographers shooting wide angle long exposure shots in moderate light.
|It minimizes ghosting and interior flare||It is not recommended for shots of people|
|Its images and video capture are sharp|
|Impressive image clarity|
|Fast and quiet autofocus|
|It has an efficient silent SWM|
- Focal Length Range : 14 -24 mm
- Minimum Focus Distance 0.9 ft.( 0.28 m), minimum f/stop 22
- Lens construction 14/11 (2 ED glass elements, 3 aspherical lenses and 1 Nano Crystal Coat)
- Angle of View : 114° - 84°
If you’re looking for a wide angle lens that gives you one of the sharpest images with an extreme point of view, the Nikon AF-S NIKKOR 14-24mm f/2.8G ED may be the way to go.
The 14-24mm f/2.8 is one lens that offers the highest-quality images and sharpness. With this lens, you are able to achieve an ultrawide view with the range from 14-24mm. Together with a max aperture of f/2.8, this is more than enough for landscape photographers.
Nikon 14-24mm f/2.8G is an incredibly wide angle lens, particularly on FX Nikon DSLR camera and ensures an amazing edge-to-edge sharpness even at 14mm. Frankly, the Nikon line up is yet to bring up any other wide angle lens that can achieve such a feat – neither has any other brand or manufacturer.
This singular characteristic is enough to make this lens a firm favorite with architecture and interior photographers, as long as they need the cleanest files from edge to edge at any given aperture.
Also, unique to this lens is that unlike another ultra wide angle lens, reduces ghosting (darkening in the frame corner) to the barest minimum. The lens is somewhat expensive, but I think its worth every penny it costs.
|Its image quality is exceptional||It is heavy|
|It allows for fast handling||It is a bit too big|
|It has a good zoom range|
|It has a solid build quality|
|It has an excellent autofocus|
- Ideal for landscapes, cityscapes, interiors, architecture and more.
- Focal Length : 10- 24 mm, Close focusing to 0.8 feet
- Renders a picture angle of 109 degrees through 61 degrees, equivalent to focal lengths of 15-36mm.
- SWM enables fast, accurate and quiet autofocus operation., For superior sharpness and color correction by effectively minimizing chromatic aberration.
- Aspherical lens elements virtually eliminate coma and other types of lens aberration, even when used at the widest aperture.Accepts Filter Type:Screw-on
The Nikon AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED Zoom Lens is one lens that has proven to be a perfect wide angle lens for landscape photography, architecture photography, interior photography and more.
As far as Nikon DX cameras are concerned, this is quite simply the best ultra-wide angle zoom lens. It is equipped with three Aspherical and two ED elements to control aberrations and distortions to achieve a high degree of clarity and sharpness.
The Nikon 10-24mm f/3.5-4.5 is sharp and focuses quickly. With a lens this wide, one would expect a fair bit of distortion, but, wisely placing your subject can still get an image that doesn’t look warped.
This feature makes it ideal for dramatic environmental portraiture without distortion. While its medium-aperture sharpness is no much different from most other rival lenses, at wide apertures, this Nikon does keep sharpness well, and of course, stays sharp into the corners of the frame.
Not to forget its super integrated coating for handling flare and ghosting. As is common with most Nikon product, the build quality and construction is good. It also features ring-type ultrasonic autofocus which allows for fast, snappy and excellently handled AF.
|It features a rugged construction||It is made of plastic|
|Its sharpness and contrast is exceptional|
|It renders an outstanding image integrity|
|Its AF system is efficient|
- Compelling wide-angle perspective combined with an ultra-fast f/1.4 aperture serves the needs of demanding professionals in exacting conditions
- Offers superior sharpness and color correction by effectively minimizing chromatic aberration, even at the widest aperture settings
- Aspherical lens elements virtually eliminate coma and other types of aberration, even when shooting at the widest available aperture
- A Nano Crystal Coat further reduces ghosting and internal flare across a wide range of wavelengths for even greater image clarity. Picture angle with 35mm (135) format-84°
- Rear Focus (RF) provides smooth and fast auto-focus while eliminating front barrel rotation and lens length changes
Are you a landscape or architecture photographer, and looking for a tool to help you capture tack sharp images? This is one Nikon wide angle lenses you should consider.
Since its release in 2010, the Nikon 24mm f/1.4G has been labeled the best wide angle lens for DSLR cameras, particularly when it comes to a prime lens. It comes in a bright design, and a sophisticated optical layout, for the best image capturing.
It works with both FX and DX cameras but is particularly amazing when used with the FX format. It delivers when it comes to sharpness, brightness, and high contrast images. And off course with very minimal distortion. A combination of its large aperture and 24mm focal length allows for handheld shooting at much slower shutter speeds than the usual. Thereby providing the option to drop the ISO for a cleaner file.
With a maximum aperture of f/1.4, it excels in low-light conditions and also offers greater control over depth of field and focus position. This makes it perfect for field imagery, where it produces a shallow depth of field.
The Nikon AF-S FX NIKKOR 24mm f/1.4G ED Lens is also characterized by a Silent Wave Motor thus enabling it to produce fast, smooth, and quiet autofocus, together with the ability to override focus manually for more selective control at any time.
This is a worthwhile investment for any consumer-level Nikon DX camera owner, looking to upgrade to a full frame body in the future.
|It produces minimal distortion||It is big and heavy|
|It back-focuses at larger apertures|
|It has a fast aperture|
|It has a sophisticated optical layout|
Final Words On The Best Wide Angle Lens for Nikon
There you have it. Nothing beats the wide-angle lens when it comes to versatility in street shooting, landscape, and travel photography. But, choosing the right lens is not at all a simple task and I hope you find the guide helpful in finding and effectively using your lens.
The above list of wide angle lenses was carefully selected based on expert opinions and have proven their worth time and time. But, my top pick goes to Nikon AF-S FX NIKKOR 20mm f/1.8G ED. This is one product that stands out any time any day when it comes to value, quality and performance. It captures an image with an intense level of clarity and sharpness.
The Nikon AF-S FX NIKKOR 20mm f/1.8G ED is a compact and lightweight FX-format lens. With the ultra-wide perspective of a 20mm focal length, shallow depth of field of an f/1.8 maximum aperture, superb optical characteristics, fast and accurate autofocusing and its low-light capabilities, you’re in for endless shooting possibilities.
Whether you’ll be shooting stills, HD video, star trail images, or time-lapse sequences, this lens is your best for a widened creative potential.
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